Bollywood

film starring Kriti Sanon and Varun Dhawan critique Bhediya

Review Bhediya: During a once-a-year, exceptional night in Arunachal Pradesh for a forest road project, Bhaskar (Varun Dhawan) is bitten by a wolf.

Because of the bite, he possesses wolf-like characteristics and the ability to occasionally transform into a werewolf. He is assisted by Anika (Kriti Sanon), Panda (Deepak Dobriyal), Janardhan (Abhishek Banerjee), and Jomin on this adventure to discover his inner beast (Paalin Kabaak). Why did he initially turn into a werewolf? What is the status of the woodland road project? How do Anika, Panda, Janardhan, and Jomin fare after his transformation? All inquiries are answered in Bhediya.

Bhediya features a novel concept that hasn’t been used before in Hindi movies. The idea of a creature comedy is successfully translated to the screen thanks to the excellent visual effects, which result in some fantastic cinematic shots. On a technical level, it’s among the best visual effects for a Hindi film, if not in terms of scale. The 3D enhances the experience, particularly during the wolf scenes.

Many of the gags throughout the first half of the film and the opening frames of the post-intermission segments are very funny. The conversations between Varun Dhawan, Abhishek Banerjee, Deepak Dobriyal, and Paalin Kabaak usually feature laughter. It’s possible to compare the trio’s first interactions with the werewolf to their previous encounters. For such one-liners, the dialogue writer deserves a lot of appreciation.

Amar and Niren Bhatt’s rapid ability to communicate a message without taking a preachy route is another reason why Bhediya works. The post-credits scene is a giggle riot, and you will undoubtedly smile as you exit the room. The music sets the mood for Bhediya and blends seamlessly with the Arunachal Pradeshi setting.

Even though the primary concept of Bhediya had a lot of potential to grow into something much greater, especially in the second half, the team wasn’t quite able to take the conflict to the next level on the execution front. You are unable to root for the main character for a significant amount of the film because the director and writer reveal Bhaskar’s redemption arc too slowly. The romance song doesn’t pique interest in the main conflict between humans and other humans, and it isn’t well developed either. The climax makes a bold and unorthodox attempt, but it doesn’t exactly follow the conventional route to appease everyone. The pre-climax episode drags on a little bit.

When it comes to performance, Bhediya checks all the boxes. Varun Dhawan excels in the sections where he changes, and he also carries the film on his shoulders. He excels at delivering one-liners with sincerity, and he also gives a strong performance in the film’s heartbreaking passages.

Despite having little on-screen time, Kriti Sanon’s role gives a new viewpoint as the story progresses. The humorous manner in which Abhishek Banerjee delivers the language speeds up the motion picture. Paalin Kabaak gets his chance to shine in the second half, in contrast to Deepak Dobriyal, who plays Panda with dependability. Saurabh Shukla doesn’t have much room to manoeuvre within the plot. Rajkummar Rao and Aparshakti Khurana’s unexpected appearances toward the end of the movie leave you wanting more.

While the second half of Bhediya would have benefited from a more compelling confrontation between a hero and a villain, the film primarily relies on humor, special effects, and performances. Despite its flaws, it still makes for a fun movie for children and families looking to watch something unique from the Hindi film industry.

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